PRINT

Traditional and experimental techniques in etching, monoprint, screenprint and lithography are used throughout this collection.

SUCKERS. 2024. Etching. marker,inks. 13.5cm x 20cm

SUCKERS. 2024. Etching. marker,inks. 13.5cm x 20cm

THE BOMB. 2022. Etching. 17.5cm x 35cm

THE BOMB. 2022. Etching. 17.5cm x 35cm

L.R.K.M.F. 2010. Lithograph. 50cm x 35cm.

L.R.K.M.F. 2010. Lithograph. 50cm x 35cm.

L.R.K.M.F. 2010. (detail)

L.R.K.M.F. 2010. (detail)

FLOW. 2010. Photographic Screenprint. 25cm x 36cm

FLOW. 2010. Photographic Screenprint. 25cm x 36cm

MOTHER? 2011. Photographic Screenprint 17.5cm x 34cm.

MOTHER? 2011. Photographic Screenprint 17.5cm x 34cm.

FLACID. 2016. Etching. 15cm x 19cm

FLACID. 2016. Etching. 15cm x 19cm

TIGHTS. 2010. Photographic Screenprint. 35cm x 43.5cm

TIGHTS. 2010. Photographic Screenprint. 35cm x 43.5cm

STAINS 2. 2009 .Monoprint,Ink wash. 61cm x 61cm

STAINS 2. 2009 .Monoprint,Ink wash. 61cm x 61cm

STAINS. 2008. Monoprint.Ink, pigment. 61cm x 61cm

STAINS. 2008. Monoprint.Ink, pigment. 61cm x 61cm

The prints in this collection have been informed by drawing explorations. Often sculptural forms will emerge as a result of these developing ideas.

The physicality and repetition of printmaking lends itself to the process of making multiples: a common theme of Ginnells work.

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